Additionally, I took reference from the Latin typeface Cronos Pro, which is used as the English font in the branding. By adjusting the stroke endings and balancing the stroke thickness, I ensured that the Chinese and English texts harmonize and complement each other seamlessly.
Instead of using a fixed logo, I explored various arrangements of the compositional elements. For example, the oat symbol, a key element of the logo, is available in several versions. The number of oats varies depending on the logo’s size and format. Additionally, there are versions featuring only the symbol and the English name, designed for specific use cases.